julian kelley

<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:media="http://search.yahoo.com/mrss/"
	
	>

<channel>
	<title>julian kelley</title>
	<link>https://juliankelley.com</link>
	<description>julian kelley</description>
	<pubDate>Tue, 25 Apr 2023 19:38:55 +0000</pubDate>
	<generator>https://juliankelley.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Julian Kelley</title>
				
		<link>https://juliankelley.com/Julian-Kelley</link>

		<pubDate>Tue, 25 Apr 2023 19:38:55 +0000</pubDate>

		<dc:creator>julian kelley</dc:creator>

		<guid isPermaLink="true">https://juliankelley.com/Julian-Kelley</guid>

		<description>&#60;img width="6159" height="4106" width_o="6159" height_o="4106" data-src="https://freight.cargo.site/t/original/i/d78805b85c13cac9db72473d12bd5ab7f10ce3a82164710349c6ecf6582cd785/ROA-28-2.jpg" data-mid="247443558" border="0"  src="https://freight.cargo.site/w/1000/i/d78805b85c13cac9db72473d12bd5ab7f10ce3a82164710349c6ecf6582cd785/ROA-28-2.jpg" /&#62;


	“ROCK OF AGES” @ Suncoast Broadway Dinner Theatre, 2026.&#38;nbsp;
Directed by Joshua Buscher West.

	Julian Kelley (he/him) is a projection designer, animator, and video artist currently based in the Washington, D.C. area.&#38;nbsp;

Julian is a member of United Scenic Artists Local 829, IATSE. He is a 2023 graduate of the Video &#38;amp; Media Design MFA program @ Carnegie Mellon University. He is a graduate of Rider University's Technical Theatre BA program.


	&#60;img width="1366" height="2048" width_o="1366" height_o="2048" data-src="https://freight.cargo.site/t/original/i/04963d82ae3c569a02b9038340af2a5124afbe674e2c921e6fec98f0dd89cc28/IMG_2322.jpg" data-mid="235516337" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/04963d82ae3c569a02b9038340af2a5124afbe674e2c921e6fec98f0dd89cc28/IMG_2322.jpg" /&#62;


RÉSUMÉ
&#60;img width="1132" height="1212" width_o="1132" height_o="1212" data-src="https://freight.cargo.site/t/original/i/2515116cbc97e8729d613425dfb9775b768842959e86830284f8a856510b35c8/Screenshot-2026-07-25-at-6.40.13PM.png" data-mid="250715576" border="0"  src="https://freight.cargo.site/w/1000/i/2515116cbc97e8729d613425dfb9775b768842959e86830284f8a856510b35c8/Screenshot-2026-07-25-at-6.40.13PM.png" /&#62;

“THE TENDER LAND” @ Park City Opera, 2026.
&#60;img width="2523" height="1768" width_o="2523" height_o="1768" data-src="https://freight.cargo.site/t/original/i/9d4ebe320f99f295d77d3f3139e0950eeac14375d0c4fd7cf2e6e3cc81b4ff19/TenderLand3.png" data-mid="250713800" border="0"  src="https://freight.cargo.site/w/1000/i/9d4ebe320f99f295d77d3f3139e0950eeac14375d0c4fd7cf2e6e3cc81b4ff19/TenderLand3.png" /&#62;&#60;img width="1765" height="977" width_o="1765" height_o="977" data-src="https://freight.cargo.site/t/original/i/0b79c4811eed8e6ca1470e81b8c44ab75c8fe2ced5da0b169a4836f2396102b2/TenderLand2.png" data-mid="250713799" border="0"  src="https://freight.cargo.site/w/1000/i/0b79c4811eed8e6ca1470e81b8c44ab75c8fe2ced5da0b169a4836f2396102b2/TenderLand2.png" /&#62;&#60;img width="2466" height="1194" width_o="2466" height_o="1194" data-src="https://freight.cargo.site/t/original/i/fc85f163801dd068a8017d3a8e1b7c2c43397f0d2c91c816235c84f3b742039c/TenderLand1.png" data-mid="250713798" border="0"  src="https://freight.cargo.site/w/1000/i/fc85f163801dd068a8017d3a8e1b7c2c43397f0d2c91c816235c84f3b742039c/TenderLand1.png" /&#62;Directed by Lisl Wangermann.


“OPEN CALL: THANK YOU RYAN FOR A CLEAN MICROWAVE” @ The Shed, 2026.
&#60;img width="2048" height="1152" width_o="2048" height_o="1152" data-src="https://freight.cargo.site/t/original/i/e388917abd7bc30ad237268b872e73212ff518eab1f9be4667edc099af2911ef/7_Thank_You_Ryan_For_A_Clean_Microwave_The_Shed_Open_Call_2026_HR_Credit_Marc_J_Franklin_hcard.jpg" data-mid="249877011" border="0"  src="https://freight.cargo.site/w/1000/i/e388917abd7bc30ad237268b872e73212ff518eab1f9be4667edc099af2911ef/7_Thank_You_Ryan_For_A_Clean_Microwave_The_Shed_Open_Call_2026_HR_Credit_Marc_J_Franklin_hcard.jpg" /&#62;&#60;img width="2881" height="1964" width_o="2881" height_o="1964" data-src="https://freight.cargo.site/t/original/i/048644eabb6178f8cdca7d76470d6d7efee681b5688e05f5ea500cbd660f21df/ryan2.png" data-mid="249877465" border="0"  src="https://freight.cargo.site/w/1000/i/048644eabb6178f8cdca7d76470d6d7efee681b5688e05f5ea500cbd660f21df/ryan2.png" /&#62;
&#60;img width="4032" height="1729" width_o="4032" height_o="1729" data-src="https://freight.cargo.site/t/original/i/2630be034d43517b2dc596fcb66d6b45ad79513fcb6872d8c4d1b8301bea0fdc/IMG_0916.jpg" data-mid="250193969" border="0"  src="https://freight.cargo.site/w/1000/i/2630be034d43517b2dc596fcb66d6b45ad79513fcb6872d8c4d1b8301bea0fdc/IMG_0916.jpg" /&#62;
Written &#38;amp; Directed by James Caverly &#38;amp; Andrew Morrill.

“GHOST LIMB” @ Avant Bard Theatre, 2026.&#60;img width="4465" height="6697" width_o="4465" height_o="6697" data-src="https://freight.cargo.site/t/original/i/9b3e6a62020dbf037379cd920160ec8ea04526e4e01a13acd14eee27951cf879/Naya.jpg" data-mid="248663180" border="0"  src="https://freight.cargo.site/w/1000/i/9b3e6a62020dbf037379cd920160ec8ea04526e4e01a13acd14eee27951cf879/Naya.jpg" /&#62;“The artistic and technical aspects of “Ghost Limb” raise the caliber of the production. Projections by Julian Kelley bring paintings by Francisco Goya to life, “painting” them with light...Later projections hauntingly use photo-negative images of actual victims of the Dirty War and use flashes of brash color to highlight the suffering of Javier and his real-life peers.”&#38;nbsp; &#38;nbsp; 
-Maryland Theatre Guide

&#60;img width="3630" height="5654" width_o="3630" height_o="5654" data-src="https://freight.cargo.site/t/original/i/1b7469763acf78c73372ba20eaee0784598c487d1f34b804c05f3c675b0a0e1e/Naya.Ghost.Limb.5.5.2601354.jpg" data-mid="248663182" border="0"  src="https://freight.cargo.site/w/1000/i/1b7469763acf78c73372ba20eaee0784598c487d1f34b804c05f3c675b0a0e1e/Naya.Ghost.Limb.5.5.2601354.jpg" /&#62;
“In Julian Kelley’s projections — superb throughout the production — the screen displays moving amorphous red and black shapes as Consuelo shares Javier’s suffering.” &#38;nbsp; &#38;nbsp; 
-DC Theater Arts
&#60;img width="6791" height="4566" width_o="6791" height_o="4566" data-src="https://freight.cargo.site/t/original/i/5cccc49206dbe1e9d46b797d0eb7900595fff6dc69183c3b5e26887f8d156712/Naya1.jpg" data-mid="248663181" border="0"  src="https://freight.cargo.site/w/1000/i/5cccc49206dbe1e9d46b797d0eb7900595fff6dc69183c3b5e26887f8d156712/Naya1.jpg" /&#62;“Given art’s central role in the play, the projected visuals are strikingly beautiful, moving in rhythm with each scene’s emotional shifts.”&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; -BroadwayWorld

&#60;img width="4500" height="5763" width_o="4500" height_o="5763" data-src="https://freight.cargo.site/t/original/i/5f22f13fb9725bbdcf8812d95a47960a4fbddd6656ba5fb02fbd2e98728a8013/Naya.Ghost.Limb.5.5.2601390.jpg" data-mid="248663178" border="0"  src="https://freight.cargo.site/w/1000/i/5f22f13fb9725bbdcf8812d95a47960a4fbddd6656ba5fb02fbd2e98728a8013/Naya.Ghost.Limb.5.5.2601390.jpg" /&#62;
Directed by Elena Velasco.

“ROCK OF AGES” @ Suncoast Broadway Dinner Theatre, 2026. &#60;img width="6150" height="4100" width_o="6150" height_o="4100" data-src="https://freight.cargo.site/t/original/i/1382a48ca1111fcba29c9412bf7b3724b02f9983325ed4ec33ad80c9ab9f330f/Kansas-1.jpg" data-mid="247443557" border="0"  src="https://freight.cargo.site/w/1000/i/1382a48ca1111fcba29c9412bf7b3724b02f9983325ed4ec33ad80c9ab9f330f/Kansas-1.jpg" /&#62;
&#60;img width="5250" height="2954" width_o="5250" height_o="2954" data-src="https://freight.cargo.site/t/original/i/57844ee81c4c5ace07d07eaa8c63212c50b39f1c8a88fc5f2cd75b18e652bda7/SSDAy-1.jpg" data-mid="247443560" border="0"  src="https://freight.cargo.site/w/1000/i/57844ee81c4c5ace07d07eaa8c63212c50b39f1c8a88fc5f2cd75b18e652bda7/SSDAy-1.jpg" /&#62;&#60;img width="6192" height="2156" width_o="6192" height_o="2156" data-src="https://freight.cargo.site/t/original/i/bfbdf2ccd859f802af4ccb65d7305fb42c23051baf64d3b92aef8f39cb7624b2/ROA-22.jpg" data-mid="247443544" border="0"  src="https://freight.cargo.site/w/1000/i/bfbdf2ccd859f802af4ccb65d7305fb42c23051baf64d3b92aef8f39cb7624b2/ROA-22.jpg" /&#62;
&#60;img width="5144" height="3429" width_o="5144" height_o="3429" data-src="https://freight.cargo.site/t/original/i/11e94b5b970044891da2133b8dd52e3ffd56d48289bf0d8ef5295f2ce7962584/ROA-24.jpg" data-mid="247443534" border="0"  src="https://freight.cargo.site/w/1000/i/11e94b5b970044891da2133b8dd52e3ffd56d48289bf0d8ef5295f2ce7962584/ROA-24.jpg" /&#62;&#60;img width="6159" height="4106" width_o="6159" height_o="4106" data-src="https://freight.cargo.site/t/original/i/d78805b85c13cac9db72473d12bd5ab7f10ce3a82164710349c6ecf6582cd785/ROA-28-2.jpg" data-mid="247443558" border="0"  src="https://freight.cargo.site/w/1000/i/d78805b85c13cac9db72473d12bd5ab7f10ce3a82164710349c6ecf6582cd785/ROA-28-2.jpg" /&#62;
&#60;img width="6707" height="1730" width_o="6707" height_o="1730" data-src="https://freight.cargo.site/t/original/i/4855e3a736cb795ec9b57e05e32b0a7b8fbda3bbc5528aa6818790f360afde12/ROA-46.jpg" data-mid="247443547" border="0"  src="https://freight.cargo.site/w/1000/i/4855e3a736cb795ec9b57e05e32b0a7b8fbda3bbc5528aa6818790f360afde12/ROA-46.jpg" /&#62;
&#60;img width="5291" height="2006" width_o="5291" height_o="2006" data-src="https://freight.cargo.site/t/original/i/f623a3a293206ab721ea45d8250ab10b99d6c9c5c2f4b95139113e454e8e58a9/ROA-49.jpg" data-mid="247443546" border="0"  src="https://freight.cargo.site/w/1000/i/f623a3a293206ab721ea45d8250ab10b99d6c9c5c2f4b95139113e454e8e58a9/ROA-49.jpg" /&#62;
&#60;img width="5254" height="3503" width_o="5254" height_o="3503" data-src="https://freight.cargo.site/t/original/i/a70d4559f0d619b2f2c919cdd93bf56578b17aa685e8c59e8604b8dab511a89c/ROA-60.jpg" data-mid="247443538" border="0"  src="https://freight.cargo.site/w/1000/i/a70d4559f0d619b2f2c919cdd93bf56578b17aa685e8c59e8604b8dab511a89c/ROA-60.jpg" /&#62;&#60;img width="6049" height="2148" width_o="6049" height_o="2148" data-src="https://freight.cargo.site/t/original/i/72e00693bd116c36cb209c86c1466f13ff5ef2da4cf9227166081b65b5357ac1/ROA-52.jpg" data-mid="247443545" border="0"  src="https://freight.cargo.site/w/1000/i/72e00693bd116c36cb209c86c1466f13ff5ef2da4cf9227166081b65b5357ac1/ROA-52.jpg" /&#62;&#60;img width="5987" height="3991" width_o="5987" height_o="3991" data-src="https://freight.cargo.site/t/original/i/83d833de4a2531ad34a92dd64fe3a973521dc159f2e31c41bfd1c09898ef3359/ROA-62.jpg" data-mid="247443539" border="0"  src="https://freight.cargo.site/w/1000/i/83d833de4a2531ad34a92dd64fe3a973521dc159f2e31c41bfd1c09898ef3359/ROA-62.jpg" /&#62;&#60;img width="6295" height="4197" width_o="6295" height_o="4197" data-src="https://freight.cargo.site/t/original/i/6a90d08ad06115d7bbec09647223475e2dafd7851c14cada5c2f1b9fc1430615/ROA-63-2.jpg" data-mid="247443623" border="0"  src="https://freight.cargo.site/w/1000/i/6a90d08ad06115d7bbec09647223475e2dafd7851c14cada5c2f1b9fc1430615/ROA-63-2.jpg" /&#62;&#60;img width="5818" height="3879" width_o="5818" height_o="3879" data-src="https://freight.cargo.site/t/original/i/040de492228ae6582efc2e2013b07ab8b1771c6a90b741b314b16db93444ef3e/ROA-66.jpg" data-mid="247443540" border="0"  src="https://freight.cargo.site/w/1000/i/040de492228ae6582efc2e2013b07ab8b1771c6a90b741b314b16db93444ef3e/ROA-66.jpg" /&#62;
Directed by Joshua Buscher West.
“ALMOST FAMOUS” @ A Contemporary Theatre of Connecticut, 2025. Video Design by Camilla Tassi.&#60;img width="2500" height="1664" width_o="2500" height_o="1664" data-src="https://freight.cargo.site/t/original/i/acf17fa37e155f2cbd16d6e8ac208916e948a326ebb3f954f9a78372fd7381a7/AF_FeverDog.png" data-mid="245710861" border="0"  src="https://freight.cargo.site/w/1000/i/acf17fa37e155f2cbd16d6e8ac208916e948a326ebb3f954f9a78372fd7381a7/AF_FeverDog.png" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a2fc4cef7b055c290719bf114bf164cc7f7866269a43c83f259562ecee12c032/AF_Record_v02.png" data-mid="245710863" border="0"  src="https://freight.cargo.site/w/1000/i/a2fc4cef7b055c290719bf114bf164cc7f7866269a43c83f259562ecee12c032/AF_Record_v02.png" /&#62;&#60;img width="2500" height="1664" width_o="2500" height_o="1664" data-src="https://freight.cargo.site/t/original/i/52adf31f08173279c01ce1529eeb253823b7e288cc2de09462f449672241caed/AF_Bus.png" data-mid="245710584" border="0"  src="https://freight.cargo.site/w/1000/i/52adf31f08173279c01ce1529eeb253823b7e288cc2de09462f449672241caed/AF_Bus.png" /&#62;
&#60;img width="2500" height="1663" width_o="2500" height_o="1663" data-src="https://freight.cargo.site/t/original/i/6113802b45f167053df20c6a83377fbf60a875fe72dc767d05a65248dd238a72/AF_Polaroids.png" data-mid="245710862" border="0"  src="https://freight.cargo.site/w/1000/i/6113802b45f167053df20c6a83377fbf60a875fe72dc767d05a65248dd238a72/AF_Polaroids.png" /&#62;
Directed by Daniel C. Levine.&#38;nbsp;


	“A STRANGE LOOP” @ Visionaries of the Creative Arts &#38;amp; Deaf Austin Theatre, 2025.
Helen Hayes Award Nomination - Outstanding Production - Musical - Helen.&#60;img width="3211" height="2142" width_o="3211" height_o="2142" data-src="https://freight.cargo.site/t/original/i/7b7c08b6ece0c636e41f5248d5ab6b56e5b7c7e041baf097498512948ea1ef09/asl4.png" data-mid="238867395" border="0"  src="https://freight.cargo.site/w/1000/i/7b7c08b6ece0c636e41f5248d5ab6b56e5b7c7e041baf097498512948ea1ef09/asl4.png" /&#62;“The staging at Atlas...entails a complex range of technical cues, including video projections a la “Hollywood Squares” of characters who beam in to pester Usher (whether in vocal or sign language)...”&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; -The Washington Post
&#60;img width="8062" height="5352" width_o="8062" height_o="5352" data-src="https://freight.cargo.site/t/original/i/d1e5e6056e1bc17da0982a7b90ba83733fd410516c171b612dc75183856f61bc/1B4A8549.jpg" data-mid="238866511" border="0"  src="https://freight.cargo.site/w/1000/i/d1e5e6056e1bc17da0982a7b90ba83733fd410516c171b612dc75183856f61bc/1B4A8549.jpg" /&#62;&#60;img width="7185" height="5464" width_o="7185" height_o="5464" data-src="https://freight.cargo.site/t/original/i/031ae7e6bd481444f9fd1e2cb00ef348e7770fbd04f6dcdad415b3546355b29b/1B4A3265.jpg" data-mid="238866497" border="0"  src="https://freight.cargo.site/w/1000/i/031ae7e6bd481444f9fd1e2cb00ef348e7770fbd04f6dcdad415b3546355b29b/1B4A3265.jpg" /&#62;&#60;img width="2789" height="3748" width_o="2789" height_o="3748" data-src="https://freight.cargo.site/t/original/i/8d726709aa204e15c9564ae7f0e8725b8f7592e886b74b3bd47179488638225a/dad.png" data-mid="236681425" border="0"  src="https://freight.cargo.site/w/1000/i/8d726709aa204e15c9564ae7f0e8725b8f7592e886b74b3bd47179488638225a/dad.png" /&#62;
 &#60;img width="1831" height="1931" width_o="1831" height_o="1931" data-src="https://freight.cargo.site/t/original/i/d0874cb95ac2b08371ad827fae974a00528bd276948d44e832066fff32417657/mom.png" data-mid="236681861" border="0"  src="https://freight.cargo.site/w/1000/i/d0874cb95ac2b08371ad827fae974a00528bd276948d44e832066fff32417657/mom.png" /&#62;
&#60;img width="8065" height="5464" width_o="8065" height_o="5464" data-src="https://freight.cargo.site/t/original/i/586612527b6983b4832a020cc314b6eb3bf60eec961382b74880c450e4bb8a75/1B4A2602.jpg" data-mid="238866495" border="0"  src="https://freight.cargo.site/w/1000/i/586612527b6983b4832a020cc314b6eb3bf60eec961382b74880c450e4bb8a75/1B4A2602.jpg" /&#62;
&#60;img width="4617" height="3687" width_o="4617" height_o="3687" data-src="https://freight.cargo.site/t/original/i/67419a00a1e3cf63ba9bb8d29ab7f27f867a42b60ad0196a77329c83c271bcfa/3B2A8694-Enhanced-NR-1.jpg" data-mid="236681250" border="0"  src="https://freight.cargo.site/w/1000/i/67419a00a1e3cf63ba9bb8d29ab7f27f867a42b60ad0196a77329c83c271bcfa/3B2A8694-Enhanced-NR-1.jpg" /&#62;Directed by Alexandria Wailes.Caption Design by Andrés Poch.
Photo by Chris Mueller.
“WOMAN ON FIRE” @ Creative Cauldron Stage, 2025. Helen Hayes Award Nomination - Outstanding Media/Projection Design - Helen.&#60;img width="4000" height="3000" width_o="4000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/135054eb9ec9203c4a119c6e919d76d71de3ccd6c5bb5bdea4c6f770ce613632/1000007151.jpg" data-mid="234180524" border="0"  src="https://freight.cargo.site/w/1000/i/135054eb9ec9203c4a119c6e919d76d71de3ccd6c5bb5bdea4c6f770ce613632/1000007151.jpg" /&#62;&#60;img width="1100" height="734" width_o="1100" height_o="734" data-src="https://freight.cargo.site/t/original/i/0178df811148ecd639fc74709ca261d0e8d1f7140057cfde81ed2085fa2eed31/2025womanonfire-final-29_orig.jpg" data-mid="234180518" border="0"  src="https://freight.cargo.site/w/1000/i/0178df811148ecd639fc74709ca261d0e8d1f7140057cfde81ed2085fa2eed31/2025womanonfire-final-29_orig.jpg" /&#62;
“Another element...was the production’s most entrancing: a sheet draped from ceiling to floor, upon which various images — designed by Julian Kelley — are projected throughout the play. At certain moments, these images bleed down the screen, amplifying the supernatural element of the production and creating an evocative visual experience.”&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; -DC Theater Arts
&#60;img width="3705" height="2157" width_o="3705" height_o="2157" data-src="https://freight.cargo.site/t/original/i/d5491f1cead6ea150cb95ae1b4efc33da7a597f0d9a24ba058aa545c3585a07c/1000007152.jpg" data-mid="234180523" border="0"  src="https://freight.cargo.site/w/1000/i/d5491f1cead6ea150cb95ae1b4efc33da7a597f0d9a24ba058aa545c3585a07c/1000007152.jpg" /&#62;&#60;img width="1350" height="901" width_o="1350" height_o="901" data-src="https://freight.cargo.site/t/original/i/32f4efa1fa840061c558be3cd0fc502e51c0b81f04516ec35e081ba1fe2170f1/1000007148.jpg" data-mid="234180526" border="0"  src="https://freight.cargo.site/w/1000/i/32f4efa1fa840061c558be3cd0fc502e51c0b81f04516ec35e081ba1fe2170f1/1000007148.jpg" /&#62;
“Still images on screen, crafted by projection designer Julian Kelley, appear at times to quiver or breathe, evoking the haunting movement of Edvard Munch’s The Scream and underscoring the idea that memory, like trauma, is never fully still.” &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; -Maryland Theatre Guide

&#60;img width="1350" height="901" width_o="1350" height_o="901" data-src="https://freight.cargo.site/t/original/i/cedab3ba01d3966e7cf45cc15d3c09d165edb8e5857b25cddc36703ecab56943/1000007149.jpg" data-mid="234180527" border="0"  src="https://freight.cargo.site/w/1000/i/cedab3ba01d3966e7cf45cc15d3c09d165edb8e5857b25cddc36703ecab56943/1000007149.jpg" /&#62;&#60;img width="1350" height="901" width_o="1350" height_o="901" data-src="https://freight.cargo.site/t/original/i/67683292d9498b1a4d50a6121bc8d94f5253272d8a40becce03488ff413d523f/1000007150.jpg" data-mid="234180525" border="0"  src="https://freight.cargo.site/w/1000/i/67683292d9498b1a4d50a6121bc8d94f5253272d8a40becce03488ff413d523f/1000007150.jpg" /&#62;Directed by Elena Velasco.
“THE LEHMAN TRILOGY” @ Capital Repertory Theatre, 2025. Projection Design by Camilla Tassi.&#60;img width="4759" height="2556" width_o="4759" height_o="2556" data-src="https://freight.cargo.site/t/original/i/fac879f8ee2e41372b06d33e8061dca82f6250a4e46ceb8e825ed348bf52135e/crisis.png" data-mid="234180930" border="0"  src="https://freight.cargo.site/w/1000/i/fac879f8ee2e41372b06d33e8061dca82f6250a4e46ceb8e825ed348bf52135e/crisis.png" /&#62;
“Camilla Tassi and Julian Kelley have come up with a superb projection design...”&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; -Metroland Now&#60;img width="2500" height="1669" width_o="2500" height_o="1669" data-src="https://freight.cargo.site/t/original/i/7da184959ffe669ab3d72401a1c76aa186bdcce47c90783c5d5060cf905dead5/LEHMAN-PRODUCTION-PHOTOS_00028.png" data-mid="234180767" border="0"  src="https://freight.cargo.site/w/1000/i/7da184959ffe669ab3d72401a1c76aa186bdcce47c90783c5d5060cf905dead5/LEHMAN-PRODUCTION-PHOTOS_00028.png" /&#62;
&#60;img width="4792" height="2517" width_o="4792" height_o="2517" data-src="https://freight.cargo.site/t/original/i/a8510b5e3dec6887eff0c01337042904e15cea4895e8c5e325fab1c1658e3398/sukkot.png" data-mid="234180920" border="0"  src="https://freight.cargo.site/w/1000/i/a8510b5e3dec6887eff0c01337042904e15cea4895e8c5e325fab1c1658e3398/sukkot.png" /&#62;&#60;img width="4792" height="2312" width_o="4792" height_o="2312" data-src="https://freight.cargo.site/t/original/i/1c20af718cd8981a986bd1f0cdf827e37323a966f6dfa9f2d6d4f9ced876d6dd/horses.png" data-mid="234180918" border="0"  src="https://freight.cargo.site/w/1000/i/1c20af718cd8981a986bd1f0cdf827e37323a966f6dfa9f2d6d4f9ced876d6dd/horses.png" /&#62;&#60;img width="4782" height="2556" width_o="4782" height_o="2556" data-src="https://freight.cargo.site/t/original/i/210c634bbf70a5d708c0c495e6292a6a70771f17ac42b46917839313f22e724a/wallst.png" data-mid="234180923" border="0"  src="https://freight.cargo.site/w/1000/i/210c634bbf70a5d708c0c495e6292a6a70771f17ac42b46917839313f22e724a/wallst.png" /&#62;&#60;img width="4439" height="2556" width_o="4439" height_o="2556" data-src="https://freight.cargo.site/t/original/i/65c207b7f635646db402f941947416a3032cf5b88250f30ce67d21a526579b28/bobbysdream.png" data-mid="234180917" border="0"  src="https://freight.cargo.site/w/1000/i/65c207b7f635646db402f941947416a3032cf5b88250f30ce67d21a526579b28/bobbysdream.png" /&#62;&#60;img width="3408" height="2556" width_o="3408" height_o="2556" data-src="https://freight.cargo.site/t/original/i/2ca6257582fd8bd3cfe0081af336f8a02257e7c9c8387fd780f0863cdf4e7c7e/glucksman.png" data-mid="234181155" border="0"  src="https://freight.cargo.site/w/1000/i/2ca6257582fd8bd3cfe0081af336f8a02257e7c9c8387fd780f0863cdf4e7c7e/glucksman.png" /&#62;
&#60;img width="2047" height="1365" width_o="2047" height_o="1365" data-src="https://freight.cargo.site/t/original/i/10f48e158d8812cbfa1047e976ec8da2f398a28b5082dfb3919f9fe94a914147/twist.png" data-mid="234181068" border="0"  src="https://freight.cargo.site/w/1000/i/10f48e158d8812cbfa1047e976ec8da2f398a28b5082dfb3919f9fe94a914147/twist.png" /&#62;&#60;img width="623" height="415" width_o="623" height_o="415" data-src="https://freight.cargo.site/t/original/i/b636d491a21ae5cc31b72acea02a9d60d416b86d93f43fa31213d1bd7ab0adea/lehman.png" data-mid="234180652" border="0"  src="https://freight.cargo.site/w/623/i/b636d491a21ae5cc31b72acea02a9d60d416b86d93f43fa31213d1bd7ab0adea/lehman.png" /&#62;Directed by Maggie Mancinelli-Cahill.“COMMUNION” @ Nancy Manocherian’s the cell theatre, 2024. Co-Projection Design with Ryan Belock.
&#60;img width="600" height="385" width_o="600" height_o="385" data-src="https://freight.cargo.site/t/original/i/6e107140c559f90212fe53f2226b6a7e7107fbcc2c06a2896f431670d61bb8c0/tn-500_Communion1wCarolRosegg.jpg" data-mid="221836944" border="0" data-scale="100" src="https://freight.cargo.site/w/600/i/6e107140c559f90212fe53f2226b6a7e7107fbcc2c06a2896f431670d61bb8c0/tn-500_Communion1wCarolRosegg.jpg" /&#62;
“Communion...has an unusually slick production design...One of the most affecting touches in Ryan Belock and Julian Kelley's projection design is the footage of the men dancing, ecstatically, at the reception...TV and radio broadcasts...combine with projections in a remarkable sequence detailing the media firestorm that erupts after LaBanca's case goes public.”&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; -Lighting &#38;amp; Sound America
&#60;img width="1398" height="932" width_o="1398" height_o="932" data-src="https://freight.cargo.site/t/original/i/15844d17d69d27eb8a711064148b05a9043e1df3c91d94e27a7fd2a11e42a368/communion1.png" data-mid="234181059" border="0"  src="https://freight.cargo.site/w/1000/i/15844d17d69d27eb8a711064148b05a9043e1df3c91d94e27a7fd2a11e42a368/communion1.png" /&#62;
&#60;img width="600" height="715" width_o="600" height_o="715" data-src="https://freight.cargo.site/t/original/i/281d6b86e2caeddac579feb3dd3dabb877c8134418f27594870a624b1643f712/tn-500_Communion114lowCarolRosegg.jpg" data-mid="221836943" border="0"  src="https://freight.cargo.site/w/600/i/281d6b86e2caeddac579feb3dd3dabb877c8134418f27594870a624b1643f712/tn-500_Communion114lowCarolRosegg.jpg" /&#62;
&#60;img width="1398" height="932" width_o="1398" height_o="932" data-src="https://freight.cargo.site/t/original/i/879214f87b66e9090497482a3e4c63d37b3ffc9f46a0ec5f0aab07dbfaa95186/sgedit.png" data-mid="234181112" border="0"  src="https://freight.cargo.site/w/1000/i/879214f87b66e9090497482a3e4c63d37b3ffc9f46a0ec5f0aab07dbfaa95186/sgedit.png" /&#62;
Directed by Kira Simring.
“AMERICAN PSYCHO” @ Monumental Theatre Company, 2024.
&#60;img width="593" height="950" width_o="593" height_o="950" data-src="https://freight.cargo.site/t/original/i/a0230db0703fe6fcb99a9169b834768a2b2ce22537962bf6c22a6e0e7898fa4d/ampsych1.png" data-mid="214231757" border="0"  src="https://freight.cargo.site/w/593/i/a0230db0703fe6fcb99a9169b834768a2b2ce22537962bf6c22a6e0e7898fa4d/ampsych1.png" /&#62;“Projections designed by Julian Kelley are splashed across the front wall with distorted images and at times seem to be airing an overhead view of the action on the stage, a mind melting effect that further accentuates the complex and intricate design of the show as a whole.”&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; -DC Theater Arts“...multiple times, especially when Bateman was commiting acts of violence, a birds-eye view of center-stage was plastered on the wall, forcing the audience to be complicit in these acts from multiple angles in real-time”&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; -BroadwayWorld
&#60;img width="634" height="950" width_o="634" height_o="950" data-src="https://freight.cargo.site/t/original/i/367c11d5f23614f575975d6edd61ee7a524fcfbb27c820adaf5c813f73286861/ampsych2.png" data-mid="214231758" border="0"  src="https://freight.cargo.site/w/634/i/367c11d5f23614f575975d6edd61ee7a524fcfbb27c820adaf5c813f73286861/ampsych2.png" /&#62;“Kelley and Wolhardt used a unique blend of found footage from the time period, acidified visuals, and live camera to lend a bird’s eye view to the gruesome goings on.”&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; -Maryland Theatre Guide“An unsung but crucial technical choice was its use of projections, a rarely-impressive but increasingly common element which is used here with pure artistic skill by Julian Kelley...”&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; -Morris Theatre DC
Directed by Michael Windsor.
“PRIVATE JONES” @ Signature Theatre, 2024. Video Design by Patrick W. Lord.&#60;img width="3152" height="2102" width_o="3152" height_o="2102" data-src="https://freight.cargo.site/t/original/i/744c47e434c0d6eca127ab1c693069a3578a865e91f23c0ec3719adb69c425ad/newname3.png" data-mid="207954280" border="0"  src="https://freight.cargo.site/w/1000/i/744c47e434c0d6eca127ab1c693069a3578a865e91f23c0ec3719adb69c425ad/newname3.png" /&#62;
&#60;img width="1680" height="1120" width_o="1680" height_o="1120" data-src="https://freight.cargo.site/t/original/i/97445f3afb10d81c543bedb6fc28b2c358408cd8f58843d06e02daf0e9a1bed6/Screenshot-2025-06-04-at-7.05.38PM.png" data-mid="234181306" border="0"  src="https://freight.cargo.site/w/1000/i/97445f3afb10d81c543bedb6fc28b2c358408cd8f58843d06e02daf0e9a1bed6/Screenshot-2025-06-04-at-7.05.38PM.png" /&#62;
&#60;img width="1254" height="898" width_o="1254" height_o="898" data-src="https://freight.cargo.site/t/original/i/147d8ce4e2304dcdcd42ecf00abe3f41f24a236ca58765f569bcc2fdbd5ee3bc/Screenshot-2024-07-09-at-2.57.43PM.png" data-mid="214386175" border="0"  src="https://freight.cargo.site/w/1000/i/147d8ce4e2304dcdcd42ecf00abe3f41f24a236ca58765f569bcc2fdbd5ee3bc/Screenshot-2024-07-09-at-2.57.43PM.png" /&#62;
&#60;img width="2436" height="994" width_o="2436" height_o="994" data-src="https://freight.cargo.site/t/original/i/8695443a9264b73dc7a60911157411390e03ee077b0f7db683db3ac5189f00e2/Screenshot-2025-06-04-at-7.05.57PM.png" data-mid="234181307" border="0"  src="https://freight.cargo.site/w/1000/i/8695443a9264b73dc7a60911157411390e03ee077b0f7db683db3ac5189f00e2/Screenshot-2025-06-04-at-7.05.57PM.png" /&#62;Written &#38;amp; Directed by Marshall Pailet. 

“LIZZIE” @ Theaterworks Hartford, 2023. Projection Design by Camilla Tassi.
&#60;img width="2064" height="1376" width_o="2064" height_o="1376" data-src="https://freight.cargo.site/t/original/i/4b124bec33b5e79bf62eddbb9aa51353220a0ee1ac26d1c5a8af2268b6d0fddb/lizziesmall.png" data-mid="201048129" border="0"  src="https://freight.cargo.site/w/1000/i/4b124bec33b5e79bf62eddbb9aa51353220a0ee1ac26d1c5a8af2268b6d0fddb/lizziesmall.png" /&#62;&#60;img width="1080" height="825" width_o="1080" height_o="825" data-src="https://freight.cargo.site/t/original/i/bf257e2f01d7478c24cd7e7f66fa247f7d7c21aadd3405aa7429d10999900e26/386825565_6410749212369633_2348244059868858442_n.jpg" data-mid="201047662" border="0"  src="https://freight.cargo.site/w/1000/i/bf257e2f01d7478c24cd7e7f66fa247f7d7c21aadd3405aa7429d10999900e26/386825565_6410749212369633_2348244059868858442_n.jpg" /&#62;&#60;img width="1080" height="825" width_o="1080" height_o="825" data-src="https://freight.cargo.site/t/original/i/a200f9950967426f1714e1cdc3c5cc9221613f4df77c96767a3a65b891dd28f2/386366426_614028964277854_2185333110372049193_n.jpg" data-mid="201047660" border="0"  src="https://freight.cargo.site/w/1000/i/a200f9950967426f1714e1cdc3c5cc9221613f4df77c96767a3a65b891dd28f2/386366426_614028964277854_2185333110372049193_n.jpg" /&#62;Directed by Lainie Sakakura.

“CONSTELLATIONS” @ Carnegie Mellon School of Drama, 2023.&#60;img width="800" height="534" width_o="800" height_o="534" data-src="https://freight.cargo.site/t/original/i/ea5d2e0e9a0128a04f744a1ea38e9ea44630ef710948010d5d071bbf08bcf38d/52815007533_bdb8e00bfa_c.jpg" data-mid="176666947" border="0"  src="https://freight.cargo.site/w/800/i/ea5d2e0e9a0128a04f744a1ea38e9ea44630ef710948010d5d071bbf08bcf38d/52815007533_bdb8e00bfa_c.jpg" /&#62;&#60;img width="1262" height="786" width_o="1262" height_o="786" data-src="https://freight.cargo.site/t/original/i/ed433d3adf378b63e8c6080eff5830a5875517807259f5074cac38c90d240695/Screenshot-2024-07-09-at-3.16.57PM.png" data-mid="214387367" border="0"  src="https://freight.cargo.site/w/1000/i/ed433d3adf378b63e8c6080eff5830a5875517807259f5074cac38c90d240695/Screenshot-2024-07-09-at-3.16.57PM.png" /&#62;&#60;img width="800" height="534" width_o="800" height_o="534" data-src="https://freight.cargo.site/t/original/i/b00286d96f86a9c3579168b7c0360db9a8eecd502a50282d464d7c7a91c90bfe/52815015853_496727f485_c.jpg" data-mid="176666949" border="0"  src="https://freight.cargo.site/w/800/i/b00286d96f86a9c3579168b7c0360db9a8eecd502a50282d464d7c7a91c90bfe/52815015853_496727f485_c.jpg" /&#62;&#60;img width="1330" height="1348" width_o="1330" height_o="1348" data-src="https://freight.cargo.site/t/original/i/71f57bd59caefd36e5fd490cb99cae369003548e0c20d1c8dde5820f2809cd79/Screenshot-2024-07-09-at-2.54.36PM.png" data-mid="214386056" border="0"  src="https://freight.cargo.site/w/1000/i/71f57bd59caefd36e5fd490cb99cae369003548e0c20d1c8dde5820f2809cd79/Screenshot-2024-07-09-at-2.54.36PM.png" /&#62;&#60;img width="800" height="534" width_o="800" height_o="534" data-src="https://freight.cargo.site/t/original/i/085a001189d83b07bf51287d5a6e11bde65c5000980d1d40ebfaabb2716ee1e7/conns.png" data-mid="176678319" border="0"  src="https://freight.cargo.site/w/800/i/085a001189d83b07bf51287d5a6e11bde65c5000980d1d40ebfaabb2716ee1e7/conns.png" /&#62;&#60;img width="1264" height="756" width_o="1264" height_o="756" data-src="https://freight.cargo.site/t/original/i/df89bc1966fd2c55fe78382c586cc5156d3c4ca68ef3800587e8357ff4770bd8/Screenshot-2024-07-09-at-3.19.10PM.png" data-mid="214387405" border="0"  src="https://freight.cargo.site/w/1000/i/df89bc1966fd2c55fe78382c586cc5156d3c4ca68ef3800587e8357ff4770bd8/Screenshot-2024-07-09-at-3.19.10PM.png" /&#62;Directed by Sarah Margaret Stowell.“PRAISE IS WHAT WE DO” @ CMU Playground XX, 2022.
&#60;img width="976" height="801" width_o="976" height_o="801" data-src="https://freight.cargo.site/t/original/i/1fc5b945561dee29d9ad15570a8293e5575bd017210e3e33294a9a28e3255a3f/praise.png" data-mid="176664318" border="0"  src="https://freight.cargo.site/w/976/i/1fc5b945561dee29d9ad15570a8293e5575bd017210e3e33294a9a28e3255a3f/praise.png" /&#62;Directed by Kevin Tappan, Jr. “LILY TOAD IN CLOWN TOWN” @ CMU Playground XX, 2022. &#60;img width="456" height="257" width_o="456" height_o="257" data-src="https://freight.cargo.site/t/original/i/64420d9c13aa9b90de94bc4863ebc1152e81e0287ecded4696f1aa401ba1e9ee/gifgif.gif" data-mid="176664264" border="0" data-scale="100" src="https://freight.cargo.site/w/456/i/64420d9c13aa9b90de94bc4863ebc1152e81e0287ecded4696f1aa401ba1e9ee/gifgif.gif" /&#62;Directed by Phoebe Lloyd.

“AS YOU LIKE IT” @ Carnegie Mellon School of Drama, 2022.&#38;nbsp;
&#60;img width="2626" height="2087" width_o="2626" height_o="2087" data-src="https://freight.cargo.site/t/original/i/d1925bf08a2eb7922fbe25d2bb29c7badd62d7268feec842f9c58a8ebc7d7c23/IMG_3290.png" data-mid="176667549" border="0"  src="https://freight.cargo.site/w/1000/i/d1925bf08a2eb7922fbe25d2bb29c7badd62d7268feec842f9c58a8ebc7d7c23/IMG_3290.png" /&#62;
&#60;img width="1388" height="944" width_o="1388" height_o="944" data-src="https://freight.cargo.site/t/original/i/ae8851918e95754bb9bb8c7710d707d1497644a9ee16ee3adf04077b52ed8f67/Screenshot-2024-07-09-at-3.23.29PM.png" data-mid="214387561" border="0"  src="https://freight.cargo.site/w/1000/i/ae8851918e95754bb9bb8c7710d707d1497644a9ee16ee3adf04077b52ed8f67/Screenshot-2024-07-09-at-3.23.29PM.png" /&#62;
&#60;img width="3128" height="1828" width_o="3128" height_o="1828" data-src="https://freight.cargo.site/t/original/i/ba3b392bc5987b6f015b8fd8e45bc5b53b11cb13e499643f34dd1bd6c3e664bc/52434847976_d27311f921_o.png" data-mid="176664387" border="0"  src="https://freight.cargo.site/w/1000/i/ba3b392bc5987b6f015b8fd8e45bc5b53b11cb13e499643f34dd1bd6c3e664bc/52434847976_d27311f921_o.png" /&#62;Directed by Peter Andersen. “THE LITTLE MERMAID” @ Sierra Repertory Theatre, 2022. 


&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/f8690cba6b861d3baf3a9437bf94914e6a5a6cc9cfb4e83d300a5ac4d02c9f4d/Ursula-and-Eels.png" data-mid="176667251" border="0"  src="https://freight.cargo.site/w/1000/i/f8690cba6b861d3baf3a9437bf94914e6a5a6cc9cfb4e83d300a5ac4d02c9f4d/Ursula-and-Eels.png" /&#62;&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/63e73f230a3c144e7dab59db04210280b991e47568db55d8017f2cc03c79c940/Eels-scaled.jpg" data-mid="176667206" border="0"  src="https://freight.cargo.site/w/1000/i/63e73f230a3c144e7dab59db04210280b991e47568db55d8017f2cc03c79c940/Eels-scaled.jpg" /&#62;&#60;img width="2560" height="1621" width_o="2560" height_o="1621" data-src="https://freight.cargo.site/t/original/i/51522b8f548eb2c44076fd2888981359055f91818f96c6eb5d70d825807d3af0/Ariel-and-Eric-scaled.jpg" data-mid="176667235" border="0"  src="https://freight.cargo.site/w/1000/i/51522b8f548eb2c44076fd2888981359055f91818f96c6eb5d70d825807d3af0/Ariel-and-Eric-scaled.jpg" /&#62;Directed by Jerry Lee.
 
“POWER/TRIP” @ Carnegie Mellon School of Drama, 2021.&#60;img width="2000" height="1335" width_o="2000" height_o="1335" data-src="https://freight.cargo.site/t/original/i/92fdfa623ba09171bf4143c35aa78fd3c7b115ba39ad19e1e28e5e5dd9ba01cb/51606879156_c0cb8d9379_k.jpg" data-mid="249944161" border="0"  src="https://freight.cargo.site/w/1000/i/92fdfa623ba09171bf4143c35aa78fd3c7b115ba39ad19e1e28e5e5dd9ba01cb/51606879156_c0cb8d9379_k.jpg" /&#62;&#60;img width="1920" height="1281" width_o="1920" height_o="1281" data-src="https://freight.cargo.site/t/original/i/73b0b6cc44d61836f8e2a87ce9d688fa28bf7bd90602d95fa1e9ccd6b63dbe15/pt3.png" data-mid="176664327" border="0"  src="https://freight.cargo.site/w/1000/i/73b0b6cc44d61836f8e2a87ce9d688fa28bf7bd90602d95fa1e9ccd6b63dbe15/pt3.png" /&#62;&#60;img width="1080" height="1008" width_o="1080" height_o="1008" data-src="https://freight.cargo.site/t/original/i/527e8b1a8c4f0e74f8457360ea4edec91fc7618b4051b91a4c70223b3145057b/py.png" data-mid="176664449" border="0"  src="https://freight.cargo.site/w/1000/i/527e8b1a8c4f0e74f8457360ea4edec91fc7618b4051b91a4c70223b3145057b/py.png" /&#62;Directed by Anne Demelo. 


</description>
		
	</item>
		
	</channel>
</rss>